Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. The chapter explains how this irony is extended in Huxley's subsequent adaptation of Brave New World to a musical comedy. The totalitarian culture that is meant to be repellent is secured by a wide variety of vernacular pleasures that are, from a readerly perspective, paradoxically engaging. Lawrence's work registers the attraction of the material he claims to reject, the engineered pleasures in Brave New World, including the feelies, exert a frivolous, sleazy magnetism that often contradicts the novel's argument against careless hedonism. It looks at Huxley's vision of futurity, or, as he called it, a “negative utopia,” that is paradoxically organized around pleasure. In particular, it considers the dense composite of references around the “feelies” in Brave New World, from a popular women's romance novel to William Shakespeare to race cinema and nature documentaries. This chapter examines the intricate balance of pleasure and unpleasure in Aldous Huxley's novel, Brave New World.
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